Paul Byrne

Digital Film Colorist

About

colorist

I am an Irish film colorist based in Los Angeles, California. I specialise in feature films, television series, commercials, and music videos. My clients include agencies like 72andsunny, Saatchi&Saatchi, Team One and many more.

Major commercial campaigns include brands like Starbucks, Diageo, Procter & Gamble, Vans and Lexus and Toyota. Noteworthy features include Roadside Attractions Beatriz at Dinner” which premiered at Sundance and A24’s “The Ballad of Lefty Brown” which premiered at SXSW.

For more information on my work history

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Be diplomatic and sensitive when working with clients

Have a thorough understanding of Post Production processes

considerable videotape experience in-depth knowledge of cameras and cinematography.

Have an understanding of editing techniques.  Be able to use your initiative. Have good problem-solving skills

Be diplomatic and sensitive when working with clients.  Have excellent Lut communication skills. Able to work effectively under pressure. Be able to motivate yourself and others

Have good team working skills. Have good attention to detail.  Have advanced IT skills. Understand the relevant health and safety laws and procedures

Colorist makes sure that all shots in each scene match one another. They do this by balancing colour saturation and luminance from shot to shot.

This way they make sure that no one shot stands out in the sequence. They look out for and correct colour differences and ensure consistency throughout the production. They also offer original and creative solutions to any picture related problems. This might be under or overexposure or day for night corrections, for example.

Work closely with clients to interpret their ideas. Also document, file and report any related project information.

Blackmagic design to relevant Producers or Project Managers. To accurately document and file all information relating to specific picture related problems and corrections. They make sure that all work is saved and backed up in accordance with relevant procedures. They also document, file and report any related project information to relevant Producers or Project Managers.

Closely with clients to interpret their ideas. They also document, file and report any related project colour correcting information to relevant Producers or Project Managers.  Document and file all information relating to specific picture related problems and corrections.

They make sure that all work is saved and backed up in accordance with relevant procedures. They also document, file and report any related project information to relevant Producers or Project Managers.

Colourist makes sure that all shots in each scene match one another. They do this by balancing colour saturation and luminance from shot to shot. The way they make sure that no one shot stands out in the sequence.

They look out for and correct colour differences and ensure consistency throughout the production. They Colorist also offers original and creative solutions to any picture related problems. This might be under or overexposure or day for night corrections, for example.

They also document, file and report any related project information to relevant Producers or Project Managers.

Work closely with clients to interpret their ideas. Also document, file and report any related project information.

Blackmagic design to relevant Producers or Project Managers. To accurately document and file all information relating to specific picture related problems and corrections. They make sure that all work is saved and backed up in accordance with relevant procedures. They also document, file and report any related project information to relevant Producers or Project Managers.

Closely with clients to interpret their ideas. They also document, file and report any post Production related project colour correcting information to relevant Producers or Project Managers.  Document and file all information relating to specific picture related problems and corrections.

They make sure that all work is saved and backed up in accordance with relevant procedures. They also document, file and report any related project information to relevant Producers or Project Managers.

Colourist makes sure that all shots in each scene match one another. They do this by balancing colour saturation and luminance from shot to shot. The way they make sure that no one shot stands out in the sequence.

They look out for and correct colour differences and ensure consistency throughout the production. They also offer original and creative solutions to any picture related problems. This might be under or overexposure or day for night corrections, for example.

They also document, file and report any related project information to relevant Producers or Project Managers.


Paul Byrne